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Ten Tips to Improving Writing Coherency

Ten Tips to Improving Writing Coherency

Writing coherency refers to how well sentences and paragraphs are organized into an understandable whole. Good writing coherency is reader-centered. From the reader’s point of view, the train of thought must be connected, easy to follow, and make sense. Incoherent writing is inconsiderate to the reader. If the writing lacks coherency, the reader’s comprehension and enjoyment of that writing will decrease. A reader may have to re-read, be forced to use too many context clues to understand what is being said, or make an undue amount of inferences.

To improve coherency, writers need to ensure that their writing has these characteristics:

1. Predictable Paragraph Organization- To maintain optimal coherency, organize paragraphs in the way that readers are accustomed. For example, unless there is a compelling reason to do otherwise, place the topic sentence in the first position of the paragraph. The topic sentence appears in the first position of the paragraph 80% of the time in expository writing. Because of this high percentage, readers expect the main idea of the paragraph to be in this position. Similarly, the thesis statement appears 50% of the time as the last sentence in an essay introduction, so follow this practice as well.

Additionally, the Ancient Greeks developed the rhetorical rules for our writing, and these rules dictate that the most important idea in any communication needs to be stated first. Organize paragraphs with customary and traditional structures to be considerate to your reader.

2. Comprehensible Sentence Structure- Again, toe the line with those Ancient Greeks. English follows suit by placing the most important words at the beginning of the sentence. In the sentence: “You need to mail that letter today,” the emphasis is on the action. In the sentence: “Today, you need to mail that letter,” the emphasis is on the time. English grammar is very flexible in its forms and so can emphasize words with many different grammatical constructions. See How to Improve Sentence Variety with Grammatical Sentence Openers for examples.

Vary the length of sentences. Charles Dickens can be difficult to read because of his notoriously long-winded sentences. A good rule of thumb is to never place two long sentences next to each other. Of course, short staccato sentences can get irritating, as well. Strive for balance in sentence length to increase reader understanding and concentration.

3. Repetition- Repeat key words, phrases, or clauses to build coherency. Martin Luther King, Jr. used the “I have a dream” clause nine different times in his short speech. Also, write with parallel grammatical structures such as in Abraham Lincoln’s “conceived in liberty, and dedicated to the proposition that all men are created equal.” Notice the repeated “_ed” past participles, each followed by prepositional phrases.

4. Effective Sentence Transitions- Use, but don’t over use, transition words and phrases at the beginnings of sentences to connect to previous thoughts. Remember that most transitions at the beginning of sentences are followed by a comma, except in  short sentences. A helpful list follows.

What You Need to Signal                 Transitions

definition

  • refers to, in other words, consists of, is equal to, means

example

  • for example, for instance, such as, is like, including, to illustrate

addition

  • also, another, in addition, furthermore, moreover

sequence

  • first, second, later, next, before, for one, for another, previously, then, finally, following, since, now

analysis

  • consider, this means, examine, look at

comparison

  • similarly, in the same way, just like, likewise, in comparison

contrast

  • in contrast, on the other hand, however, whereas, but, yet, nevertheless, instead, as opposed to, otherwise, on the contrary, regardless

cause-effect

  • because, for, therefore, hence, as a result, consequently, due to, thus, so, this led to

conclusion

  • in conclusion, to conclude, as one can see, as a result, in summary, for these reasons

5. Clear Pronouns- A pronoun takes the place of a proper (named) or common (unnamed) noun. Using clear pronoun references will improve reader understanding of your writing. Always place pronoun references close to the nouns which they represent. If in doubt, simply repeat the noun. For example, in the sentence: “The dog traveled over the hill, chased a bunny, drank from a stream, terrorized a stray cat, and than it returned home,” the it pronoun does not clearly describe the antecedent dog. The sentence would be more coherent as “The dog enjoyed many adventures before it returned home: traveling over a hill, chasing a bunny, drinking from a stream, and terrorizing a cat.”

6. Clear Modifiers- A modifier is a word, phrase, or clause that acts as an adjective or adverb to define or limit the meaning of another word or phrase. For example, in the sentence: “Thrown in the air, the dog fetched the Frisbee®,” the phrase “Thrown in the air” is a classic dangling modifier. The reader may be confused into thinking that the dog, not the disc, was the one thrown into the air. To prevent dangling modifiers, always place modifiers close to the nouns or verbs that they intend to modify. The above sentence would better be written as “Thrown in the air, the Frisbee® was fetched by the dog” (albeit in passive voice).

7. Precise Word Choice- Use specific, rather than vague, meaningless words. For example, instead of “Many things caused the recession,” replace with “Decreasing consumer confidence and high gas prices caused the recession.” Use words that fit your audience. Avoid technical or academic language when simple words will suffice, unless your readers are well-acquainted with the terminology. Be courteous to your reader and define unfamiliar words to improve coherence.

8. Appropriate Conjunctions- The common coordinating conjunctions: for, and, nor, but, or, yet, and so (F.A.N.B.O.Y.S.) each have precise meanings and need to be used correctly to maintain coherency. For example, the sentence: “He needed money for paying expenses,” does not correctly use the conjunction for. The sentence suggests that money is the medium of exchange for paying expenses, rather than a necessary prerequisite for paying expenses. Using the conjunction so would create better sentence coherency as in “He needed money so he could pay expenses.”

9. Limited Passive Voice- In passive voice, the subject receives the action with the use of a passive verb. A passive verb combines a “to-be” verb with a past participle (_d, _ed, or _en ending). For example, is practiced, was doubted, had been eaten. Instead, use the active voice in which the subject does the action. For example, “John ran to the post office.” Passive voice can be used intentionally to emphasize objectivity, such as in “It has been shown in educational research that more women than men….” Otherwise, avoid the passive voice.

10. Brevity- Using concise language builds reader understanding. Readers lose focus, if the writing is verbose. Rather than “It would certainly be very nice if you would please consider it in your heart to take out the trash,” replace with the simple and to the point “Please take out the trash.”

Following are examples of an incoherent paragraph and a coherent revision of that same paragraph. Try revising the incoherent model, using the Ten Tips to Improve Writing Coherency before looking at the revision to see if you can apply these tips.

Incoherent Writing Model

Snow creates problems. Streets need shoveling. Snowplows cannot always access streets. Driveways are hard to clear. Many communities leave the expense of clearing snow up to the homeowner. Building up dangerously high on a roof, it can break roof framing. Snow may seem harmless. It can damage houses. Snow is always potentially hazardous. It can endanger people.

Coherent Revision

Snow creates two problems for homeowners. First, it requires shoveling to keep driveways and streets clear, but snowplows cannot always access them. Furthermore, many communities leave the expense of clearing snow up to the homeowner; thus some homeowners cannot afford the expense of hiring a snowplow. Second, snow may seem harmless, yet it is not. Snow can build up dangerously high on a roof and break roof framing. Always potentially hazardous, snow can damage houses and endanger those who live in them.

If you find these tips helpful, check out Mark Pennington’s comprehensive grammar curriculum: Teaching Grammar and Mechanics. This curriculum provides whole-class diagnostic grammar and mechanics assessments with 72 targeted worksheets to differentiate instruction and a full year of 15-minute sentence lifting lessons with standards-based mechanics, spelling, and grammar skills. Teachers who are grammatically-challenged will appreciate this user-friendly book and the easy, no-prep design.

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How to Eliminate “To-Be” Verbs in Writing

Every English teacher has a sure-fire revision tip that makes developing writers dig down deep and revise initial drafts. One of my favorites involves eliminating the “to-be-verbs”: is, am, are, was, were, be, being, and been.

At this point, even before I begin to plead my case, I hear the grumbling of the contrarians. One of them mutters a snide, rhetorical question: Didn’t Shakespeare say “To be, or not to be: that is the question:”? He used three “to-be” verbs right there! If it’s good enough for Shakespeare, it’s good enough for me. True, but Will used only six more “to-be” verbs in Hamlet’s next 34 lines. My goals are to convince teachers to help their students reduce, not eliminate the “to-be” verbs, and so write with greater precision and purpose. There. I just used a “to-be” verb. Feeling better?

What’s So Wrong with “To-Be” Verbs?

1. The “to-be” verbs: is, am, are, was, were, be, being, been are state of being verbs, which means that they unduly claim a degree of permanence. For example, “I am hungry.” For most Americans, hunger is only a temporary condition.

2. The “to-be” verbs claim absolute truth and exclude other views. “Classical music is very sophisticated.” Few would agree that all classical compositions are always sophisticated.

3. The “to-be” verbs are general and lack specificity. A mother may tell her child, “Be good at school today.” The more specific “Don’t talk when the teacher talks today” would probably work better.

4. The “to-be” verbs are vague. For example, “That school is great.” Clarify the sentence as “That school has wonderful teachers, terrific students, and supportive parents.”

5. The “to-be” verbs often confuse the reader about the subject of the sentence. For example, “It was nice of you to visit.” Who or what is the “It?”

Adapted from Ken Ward’s E-Prime article at http://www.trans4mind.com/personal_development/GeneralSemantics/KensEPrime.htm

Problem-Solving Strategies to Eliminate the “To-Be” Verb

1. Substitute-Sometimes a good replacement just pops into your brain. For example, instead of “That cherry pie sure is good,” substitute the “to-be” verb is with tastes as in “That cherry pie sure tastes good.”

2. Rearrange-Start the sentence differently to see if this helps eliminate a “to-be” verb. For example, instead of “The monster was in the dark tunnel creeping,” rearrange as “Down the dark tunnel crept the monster.”

3. Change another word in the sentence into a verb-For example, instead of “Charles Schulz was the creator of the Peanuts cartoon strip,” change the common noun creator to the verb created as in “Charles Schulz created the Peanuts cartoon strip.”

4. Combine sentences-Look at the sentences before and after the one with the “to-be” verb to see if one of them can combine with the “to-be” verb sentence and so eliminate the “to-be” verb. For example, instead of “The child was sad. The sensitive young person was feeling that way because of the news story about the death of the homeless man,” combine as “The news story about the death of the homeless man saddened the sensitive child.”

A Teaching Plan to Eliminate the “To-Be” Verb

1. Post a list of the “to-be” verbs and the problem-solving strategies/examples listed above for student reference.

2. Share the strategies one at a time, so as not to overwhelm students. Teach and practice only one strategy  before moving on to another strategy.

3. Start with teacher think-alouds of the revision process, using the selected strategy on student writing samples.

4. Then, turn the revision chore on over to the whole class with student writing samples.

5. Next, collect student writing samples, type them up, and have students individually complete this “to-be” revisions assignment. Correct whole class and commend the variety of effective revisions.

6. Next, have students revise their own sentences from their own writing samples, using the selected strategy.

After teaching and practicing all four strategies, set the “rule” that from now on only one “to-be” verb is allowed in any paragraph (excluding direct quotes). Use peer editing to help identify the “to-be” verbs and peer tutors to help struggling students.

Teaching the strategies and practicing them in the context of student writing samples will help students recognize and avoid these “writing crutches” in their own writing. The end result? More precise and purposeful student writing with vivid, “show me” verbs.

Also see  How to Teach Helping Verbs for similar strategies to improve student writing.

Find essay strategy worksheets, writing fluencies, sentence revision activities, remedial writing lessons, posters, and editing resources to differentiate essay writing instruction in Teaching Essay Strategies at www.penningtonpublishing.com. Also, why not make sense of grammar instruction with a curriculum that will help you efficiently integrate grammar into writing instruction? Throw away your ineffective D.O.L. openers and last-minute grammar test-prep practice, and teach all the grammar, mechanics, and spelling that most students need in 75 minutes per week. Teaching Grammar and Mechanics, provides a coherent scope and sequence of 64 no-prep Sentence Lifting lessons with Teacher Tips and Hints for the grammatically-challenged. The mechanics and grammar skills complement those found in the 72 TGM Worksheets and target the diagnostic needs indicated by the multiple-choice TGM Grammar and Mechanics Diagnostic Assessments.

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