Archive

Posts Tagged ‘teaching writing’

Ten Tips for Coaching Basketball and Writing

Being born and raised in Los Angeles, I knew little about life in the country. Newly married, I agreed to follow my wife’s dream and apply for teaching jobs in the Gold Country of Northern California. I sent out my resume, highlighted by my three-whole-months of substitute teaching experience and hoped for the best.

Four days before the start of school, I got a call from Sutter Creek Elementary, a K-8 school, in picturesque Sutter Creek. The principal asked two questions: “Could you be here and ready to teach by Monday?” and “Are you willing to coach our eighth grade basketball team?” I gulped and said, “Yes.” Little did I know what I was in for…

The teaching part of the job was challenging. I taught six periods of history and English to the seventh and eighth graders. My principal asked me to focus on their weakest area: writing. I jumped in with the Five-Paragraph Essay. I lectured them about all of the component parts and had them write one final draft essay most every day. That’s all I knew about writing instruction, but I struggled in silence–too embarrassed to ask for help. However, compared to the other part of my job as basketball coach, teaching writing seemed “a walk in the park.” The basketball part of the job was a nightmare.

My Sutter Creek students pummeled me with questions on the first day: “Why did you leave Los Angeles?  What’s it like having McDonalds®, Burger King®, and KFC® all on the same block?” “Do you know any of the Los Angeles Lakers?” There wasn’t much for kids to do in Sutter Creek, other than basketball.

Basketball was pretty much an entire-school-year affair. We began practicing a few weeks after the beginning of school. More than half of the eighth graders tried out, and I had to “cut” the team down to the number of our uniforms. This was a difficult proposition because the kids were really quite good, having played in community leagues for years. In fact, I had a bonafide superstar: David Dalton. David could dribble between his legs and do both right and left-handed lay-ups. And he could shoot the “lights-out.”

I knew little about basketball. Baseball had been my game. So, I turned to the experts. I called up my six-foot-five-inch best friend and asked his advice; I read books; I watched video tapes; I studied diagrams; I learned how to teach the game.

We had three months to practice before our season was to begin. I taught a motion offense and set-plays, full-court and half-court traps, and complicated zone defenses. I fancied myself the “sage on the stage.” Our practices consisted of eighty-five minutes of walking through my complex plays and five minutes of scrimmage at the end of practice. My principal left me to my own devices and supported me when a few of the parents began grumbling about my rigorous practices.

Our season began and we won every game. I don’t think we scored more than a few points off of my elaborate motion offense or set-plays. We did, however, score plenty of points when the plays broke down and on opposing team’s turnovers. David Dalton was incredible. He consistently doubled the score of the opposing team all by himself. We even handily beat our archrival, Jackson Elementary, in our one seasonal match-up. Victory was sweet, but after that game, the opposing coach took me aside and asked me if he could give me one small piece of advice. “Of course, I said.” He advised, “Perhaps you should teach less and coach more.” I thanked him, but really didn’t understand the difference.

In the final game of our championship tournament, we once again faced our archrival, Jackson Elementary. The high school gym was packed with 800 spectators. We again were winning handily after the second period of play. As the third period began, Jackson’s defense had changed. Two of their guys were stationed “under the bucket,” but three guys were glued to David Dalton. Frustrated, David began picking up fouls. I did not know how to adjust. None of my six-foot-five-inch friend’s advice, the books I had devoured, or the video tapes I had watched had said anything about adjusting to a triple-team.

At the beginning of the fourth period, David fouled-out. I kept calling out plays, but we couldn’t score. I called time-outs and reminded the players about everything I had taught them. Nothing worked. Jackson crept closer. With time running out and the score tied, a Jackson player hit a “buzzer-beater” and Jackson Elementary earned the championship. The parents and my players were disgusted with me. Jackson’s coach had out-coached me.

After assuring me that I would not be fired, my principal “suggested” that he would coach next  year and I could serve as his assistant. Quite humbling. However, the next year, with my principal’s help I learned how to coach, not teach basketball. And learning how to coach basketball made me a much better writing teacher.

Here are  ten tips that my principal shared with me about coaching basketball that helped me change from a teacher of writing to coach of writing:

1. My principal had me practice with the boy’s eighth grade basketball team. It was embarrassing not being the best player. I learned the value of doing each of the writing assignments that I assigned to my students. By doing each writing task, I began to see things from the students’ perspectives. I caught my instructional mistakes, realized how much I assumed students already knew, and re-worked my instruction accordingly. I began doing Write-Alouds with my classes to model my own writing problem-solving.

2. My principal had me shoot free-throws with the team. The boys all shot better percentages than I did, but I did improve. I learned to share my own writing with students. Some of it was quite good; much of it was poor. But, the  writing assignments were authentic and provided reachable models for the students. Solely reading great works of literature does not help students improve their writing skills. The reading-writing connection is not the magical “be-all,” “end-all” solution to literacy.

3. My principal emphasized drills: passing, dribbling, rebound, and defensive positioning. I learned to teach writing inductively—from the part to the whole. I spent time coaching students on sentence structure, modeled sentence combining, had students work on grammatical sentence variety, and paragraph development. I took classes from mentors through the Area 3 Writing Project and began to help students practice the components of the Writing Process. I put the five-paragraph essay on hold for a while.

4. My principal scrimmaged a lot. Of course the boys loved this, but I noticed something else. They were incorporating what they practiced in their drills, with a few reminders. I learned to allot more time to actual writing in a wide variety of voices, to different audiences, for different purposes, and in different forms to build writing style and fluency. Students got better at manipulating the elements of rhetorical stance and their writing coherency significantly improved.

5. My principal kept things simple. He taught very few basketball plays. He did demonstrate and practice “the pick and roll” and “the pick and pop,” but not much else. Mostly, he told the boys to “free lance.” I learned to relax and stick with the “main and plain” components of writing instruction. I dropped my demands that “the devil is in the details” and stopped obsessively red-marking every mechanics and spelling error.

6. My principal didn’t force every player into the same box. He didn’t have any David Daltons that next year, but he let players go with their strengths and interests. He even let our only six-footer play the guard position, and not the center position. I learned to differentiate my writing instruction. Some students wrote three-page narratives, while some wrote one-page narratives. I still slept at night and the sun still rose and set. I discovered grammar diagnostic assessments and stopped teaching parts of speech to my students who had already mastered their parts of speech.

7. My principal never taught from the sidelines during our basketball games. He knew that coaching was for practices and not for games. I learned to use judicious error analysis and criticism in writers conferences with students during the prewriting, drafting, revision, and editing stages of the writing process. But, I focused only on what students did right on their final “game time” published products.

8. My principal was a motivator. Instead of focusing on the myriad of things our players did wrong, he focused on the few things they were doing right. He built up their self-confidence. He let the kids play. I learned that students could write better, if they perceived themselves as effective writers. I praised student work, published student work in the local paper, made parent phone calls.

9. My principal knew about successive approximation. He pushed his players to do “do-able” process tasks on the court, not product tasks, and then asked them to “do a bit more.” He had his son keep track of “do-able” tasks, like running down the court during transition defense and “boxing out” during our games, not product tasks like points scored, rebounds, turnovers, or assists. I learned to use detailed analytical rubrics to help students self-evaluate their writing and specifically inform them how to improve upon their strengths.

10. My principal planned his practices well, but he was flexible. If a drill did not go well, he knew when to devote more time to the drill, at the expense of another. He also knew when to “ditch” the drill and do something else. I learned to adjust my writing instruction to what students were and were not learning. Some carefully planned week-long lessons were accomplished in two days. Many mini-lessons turned into multiple-day lessons as I re-taught and struggled to find ways to get my students to learn what seemed so easy for me to teach. I learned the value of quick, informal formative writing assessments. I learned the value of asking students “thumbs up” if you understand, and “thumbs down” if you don’t.

Find essay strategy worksheets, writing fluencies, sentence revision activities, remedial writing lessons, posters, and editing resources to differentiate essay writing instruction in the comprehensive writing curriculum, Teaching Essay Strategies, at www.penningtonpublishing.com.

Grammar/Mechanics, Writing , , , , , , , , ,

How to Write an Effective Essay Prompt

Writing an effective essay prompt requires equal shares of art and science. The prompt must allow room for creative interpretation and analysis. However, the prompt must also provide organization and boundaries for the writers’ responses. Finally, the prompt should provide ample room for post-writing criticism to help students improve their writing.

Writing Prompt Guidelines

1. The prompt should be brief. Wordiness only serves to confuse the writer.

2. The prompt should be focused. A prompt that rambles in an attempt to explain or motivate is counter-productive.

3. The prompt should require only the prior knowledge that has been emphasized in class instruction. Isolate the variables of personal experience to best assess the outcomes of instruction.

4. The prompt should be age appropriate. Know the developmental capabilities and interests of your students and translate these into the writing prompt.

5. The prompt should avoid issues which students or parents would find objectionable. Save the PG-13 issues for older students. Don’t let the subject interfere with the writing task.

6. The prompt should not be so personal that the privacy of the writer is jeopardized. A writing prompt should not inhibit the writer from answering honestly and comfortably.

7. The prompt should not embarrass the gender, ethnicity, or socio-economic background of the writer. Stay sensitive to these variables within your classroom. Words have different meanings according to one’s perspective.

8. The prompt should allow students of varying abilities to respond effectively. An ideal prompt allows all students to experience success in their writing.

9. The prompt should be interesting enough to motivate the writer. A prompt that does not provoke thought will reap a thoughtless response.

10. The prompt should allow “room to breathe” for divergent thinkers. Expect the unexpected in student responses, and design prompts to allow for a variety of responses.

11. The prompt should enable the writer to respond with a thesis that states the purpose of the writing and/or the author’s point of view. If you can’t turn the writing prompt into a thesis statement without effort, your students will never accomplish this task.

12. The prompt should not artificially force the writer into a certain thesis. A one-sided prompt that demands a certain thesis will not produce original thought.

13. The prompt can provide a writing situation to set the writing directions in context. However, the writing situation should not overwhelm or confuse the writing instructions.

14. The prompt should have clear writing instructions. Writers are the best judges as to whether the prompt has clear instructions. Avoid vocabulary and terms that will confuse the students. Don’t use writing direction words, such as “analyze”, if your students do not understand them.

15. The prompt should be one that will afford your writers plenty of evidence with which to prove or elaborate upon their topic sentences. Picking narrow or obscure writing subjects will not allow your writers to weigh easily accesible evidence. They will also be tempted to plagiarize or invent when little evidence is available.

Writing directions words for essays designed to inform the reader…

1. Describe means to show the characteristics of the subject to the reader through visual details.

2. Explain means to make something clear or easy to understand.

3. Discuss means to talk about all sides of the subject.

4. Compare means to show how things are the same, and contrast means to show how things are different. If the writing prompt only mentions compare, you must still do both tasks.

Writing directions words for essays designed to convince the reader…

5. Analyze means to break apart the subject and explain each part.

6. Persuade means to convince the reader of your argument or claim.

7. Justify means to give reasons, based upon established rules, to support your arguments.

8. Evaluate means to make a judgment about the good and bad points of the subject.

Find 42 sequenced writing strategy worksheets and quickly move students from simple three-word paragraphs to complex multi-paragraph essays in Teaching Essay Strategies. With 64 sentence revision openers, additional remedial worksheets, writing fluency and skill lessons, posters, and editing resources, the teacher can differentiate instruction with no additional prep.

Writing , , ,

How to Write an Introduction

Many writers are ill-equipped to write an introduction to an essay, article, formal research paper, or business letter. All too often, students only received this limited instruction about how to write an introduction: “Introduce the topic in one sentence; write another sentence that has a “hook” or “lead”; then end with a thesis statement.” Not much to go on with that limited instruction…

The following strategies will help you write an introduction leading up to your thesis that will be appropriate to the writing task, engage the reader, and show off your writing skills. The BAD RAPS memory trick will help remind you of your introduction strategy options on timed writing tasks. Not every introduction strategy fits the purpose of every writing task, so learn and practice these options to increase your writing skill-set.

BAD RAPS Introduction Strategies

  • Background—Sentences that briefly explain the setting or help your reader better understand the thesis statement. (B)
  • Question to be Answered—A sentence worded as a question that asks either a question needing no answer (rhetorical question) or a question to make the reader think of a question that will be answered in the essay. (A)
  • Definition— Sentences that explain the meaning of a key word that may be unfamiliar to the reader or help to narrow the focus of the subject. (D)
  • Reference to Something Known in Common—Sentences that refer to a fact or idea already known by most people, including your reader. (R)
  • Quote from an Authority—Sentences that quote an authority in the subject of the essay. It must list the name of the authority. (A)
  • Preview of Topic Sentences—Sentences that list the subjects of each body paragraph topic sentence in the order that they appear in the essay. (P)
  • Startling Statement—Sentences that are designed to startle the reader with an emotional response or a controversial remark to help support the thesis statement. (S)

For short essays (such as on the SAT®), college applications, business letters, etc. I suggest that two of the strategies listed above, leading into a concise thesis statement will be more than adequate. Flesh out each strategy in a compound-complex sentence or two separate sentences and then finish the introduction with a one-sentence thesis statement that makes good plagiarized use of the writing prompt. For longer writing tasks, such as research reports, a few more of the introduction strategies, developed in separate paragraphs will be appropriate. The writing rule of thumb is 10% of the writing task as introduction paragraph(s), 80% as body paragraphs, and 10% as conclusion paragraph(s).

Think of writing an introduction much as a prosecuting attorney uses an opening statement to convince a jury that the defendant is guilty of the crime. Connect your introduction strategies and thesis statement with effective transition words to maintain coherence. The introduction should flow together as one whole. Every word should move the reader toward the demanded verdict, which is your thesis statement. Always place your thesis statement at the end of your introduction. Writing research indicates that the thesis statement is placed at the end on the introductory paragraph most of the time in published works, so don’t re-invent the wheel. Write in the way your reader expects to read.

I suggest that you take the time to pre-write before drafting any writing task. Compose your thesis statement first; then, brainstorm the body paragraphs. Next, draft the body paragraphs, skipping space to later write your introductory paragraph. Then, write the introduction. Finish the writing with your conclusion paragraph.

Now you have the right strategies to make your case in your opening statement, by using BAD RAPS to write an introduction. All you have to do is to convince your jury.

Find 42 sequenced writing strategy worksheets and quickly move students from simple three-word paragraphs to complex multi-paragraph essays. With 64 sentence revision lessons, additional remedial worksheets, writing fluency and skill lessons, posters, and editing resources, the teacher can differentiate instruction with no additional prep with Teaching Essay Strategies.

Writing , , , , , ,

How to Write a Conclusion

Very few writers have learned how to write a conclusion to an essay, article, formal research paper, or business letter. All too often, students only received this limited instruction about how to write a conclusion: “Re-state the thesis; write another sentence that summarizes the body paragraphs; then ‘give a finished feeling’ to the writing.” Hard to write an effective conclusion with that kind of limited instruction…

The following strategies will help you learn how to write a conclusion that will be appropriate to the writing task, convince your reader, and also show off your writing skills. The GQ SALES memory trick will help remind you of your conclusion strategy options on timed writing tasks. Not every conclusion strategy fits the purpose of every writing task, so learn and practice these options to increase your writing skill-set.

GQ SALES Conclusion Strategies

  • Generalization—Sentences that make one of your specific points more general in focus. (G)
  • Question for Further Study—Sentences that mention a related subject or question that is beyond the focus of the essay. (Q)
  • Synthesis of Main Points—Sentences that pull together the points proven in the essay to say something new. (S)
  • Application—Sentences that apply the proven thesis statement to another idea or issue. (A)
  • Argument Limitations—Sentences that explain how or why your conclusions are limited. (L)
  • Emphasis of Key Point—Sentences that mention and add importance to one of the points of your essay. (E)
  • Statement of Significance—Sentences that discuss the importance and relevance of the proven thesis statement. (S)

For short essays (such as on the SAT®), college applications, business letters), I suggest that two of the strategies listed above, following a concise thesis re-statement will be more than adequate. Flesh out each strategy in a compound-complex sentence or two separate sentences. For longer writing tasks, such as research reports, a few more of the conclusion strategies, developed in separate paragraphs will be appropriate. The writing rule of thumb is 10% of the writing task as introduction paragraph(s), 80% as body paragraphs, and 10% as conclusion paragraph(s).

Think of how to write a conclusion much as a prosecuting attorney uses closing arguments to convince a jury that the defendant is guilty of the crime. Connect your conclusion strategies and thesis re-statement with effective transition words to maintain coherence. The conclusion should flow together as one whole. Every word should move the reader toward the demanded verdict, which is your thesis statement. 

Take enough time to pre-write before drafting any writing task. Write your thesis statement first; then, brainstorm the body paragraphs. Next, draft the body paragraphs, skipping space to later write your introductory paragraph. Then, write the introduction. Finish the writing with your conclusion paragraph. 

With GQ SALES, you have the right strategies to make your case in your closing arguments. Now that you know how to write a conclusion, all you have to do is to convince your jury.

Find 42 sequenced writing strategy worksheets and quickly move students from simple three-word paragraphs to complex multi-paragraph essays. With 64 sentence revision lessons, additional remedial worksheets, writing fluency and skill lessons, posters, and editing resources, the teacher can differentiate instruction with no additional prep with Teaching Essay Strategies.

Writing , , , , , ,

How to Use Numerical Values to Write Essays

Using numerical values to identify and apply expository writing structure has proved an effective tool in identifying expository text structure and helping writers organize essays. The numerical values eliminate the writing jargon that varies from teacher to teacher and curriculum to curriculum. Instead, writers simply apply the implicit hierarchy of the number system to that of reading and writing. Writers just seem to intuitively “get” the idea of a number system applied to their expository writing in essays.

The Teaching Essay Strategies curriculum uses following number system:

(1) for the introductory strategies of an essay introduction—for example, a definition or a preview of the topic sentences.

(2) for the thesis statement that “talks about” the introduction strategies.

(3) for the topic sentences that “talk about” the thesis statement.

(4) for the major details that “talk about” the topic sentence. 

(5) for the support details that “talk about” the major details. 

(6) for the conclusion strategies—for example, a thesis re-statement or summary.

For Developing Recognition of Text Structure

Try analyzing expository reading by numbering the sentences. Critique the writing by analyzing the structure and whether there is sufficient evidence, e.g. enough (5s) to back the (4s).

For Essay Writing

Using your own writing prompts, practice varying sentence order within the numerical hierarchy to help students develop a flexible writing style to address the demands of the writing prompt and improve the quality of your essays. Try the following paragraph organizations and watch your students improve their writing structure and recognition of text structure at the same time.

1. (3)-(4)-(4)

2. (3)-(4)-(4)-(4)

3. (3)-(4)-(5)-(4)-(5) 

4. (4)-(5)-(3)-(4)-(5) 

5. (4)-(5)-(4)-(5)-(3) 

6. (4)-(5)-(4)-(5) 

7. (3)-(4)-(5)-(4)-(5)-(4)-(5) 

8. (3)-(4)-(4)-(4)-(5)

9. (3)-(4)-(4)-(5)-(4)-(5) 

10. (3)-(4)-(5)-(4)-(5)-(5) 

11. (Transition Statement)-(3)-(4)-(5)-(4)-(5)

12. (3)-(4)-(5)-(4)-(5)-(Concluding Statement)

13. (1)-(1)-(2) added to any two of the above body paragraphs

14. (6)-(6)-(6) added to any two of the above body paragraphs

15. (1)-(1)-(2) added to any two of the above body paragraphs (6)-(6)-(6)

Find 42 sequenced writing strategy worksheets and quickly move students from simple three-word paragraphs to complex multi-paragraph essays. With 64 sentence revision lessons, additional remedial worksheets, writing fluency and skill lessons, posters, and editing resources, the teacher can differentiate instruction with no additional prep with Teaching Essay Strategies.

Writing , , , , , , , , ,

How to Write Body Paragraphs

Many writers have not learned how to write body paragraphs for an essay, article, formal research paper, or business letter. All too often, students only received this limited instruction about how to write body paragraphs: “Write a topic sentence; write major detail sentences; then, support the major detail sentences with minor detail sentences.” Not much help with that limited instruction…

The following strategies will help you write learn how to write body paragraphs that will be appropriate to the writing task, provide pertinent evidence to prove your thesis, and also show off your writing skills. The CeF SCALE memory trick will help remind you of the evidence strategies you need to use on timed writing tasks. Not every evidence strategy fits the purpose of every writing task, so learn and practice these options to increase your writing skill-set.

CeF SCALE Evidence Strategies (Think Centigrade Fahrenheit)        

  1. A comparison means to show how the subject is like something else in a meaningful way. (C)
  2. An experience used as evidence may be a commonly known event or an event of which there is limited knowledge. (e)
  3. A fact means something actually said or done. Use quotes for direct or indirect quotations. (F)
  4. A statistic is a numerical figure that represents evidence gained from scientific research. (S)
  5. A counterpoint states an argument against your thesis statement and then provides evidence against that argument. (C)
  6. An appeal to authority is a reference from an authority on a certain subject. (A)
  7. Logic means to use deductive (general to specific) or inductive (specific to general) reasoning to prove a point. (L)
  8. An example is a subset typical of a category or group. (E)

Body paragraphs are organized around the topic sentence, which is the main point, reason, or argument to prove the thesis statement. Always place your topic sentence at the beginning of each body paragraph. Writing research indicates that the topic sentence is placed at the beginning of the body paragraph 80% of the time in published works, so don’t re-invent the wheel. Write in the way your reader expects to read.

Then, use the CeF SCALE evidence strategies to provide the evidence you need to support your topic sentence. Think of writing body paragraphs much as a prosecuting attorney uses evidence to convince a jury that the defendant is guilty of the crime. Connect your body paragraph evidence strategies with effective transition words to maintain coherence. The body paragraph should flow together as one whole. Every word should move the reader toward the demanded verdict, which is your thesis statement.

Use a variety of evidence to support your topic sentence in each paragraph. I suggest that two or three types of evidence per body paragraph is most effective. A good attorney uses a wide variety of evidence. Limiting evidence to one form will weaken your overall argument and not win your conviction. Think of the O.J. Simpson’s “Trial of the Century.” The prosecution overly relied on DNA evidence and failed to convince its jury. All it took was “If the glove don’t fit, you must acquit” to provide enough doubt to the jury to acquit the defendant.

After composing the topic sentence, flesh out each evidence strategy in a compound-complex sentence or two separate sentences. Then, analyze the evidence in another sentence. Of course, sometimes it is also appropriate to do the reverse: state a major detail that addresses the topic sentence and then provide the evidence strategy to support that detail.

A good body paragraph might be structured in this way:

  • Topic Sentence
  • Evidence Strategy #1 Sentence
  • Analysis Sentence
  • Evidence Strategy #2 Sentence
  • Analysis Sentence
  • Major Detail
  • Evidence Strategy #3 Sentence

Generally, avoid concluding statements in short essays. Concluding statements are helpful when used in longer research papers, following several paragraphs organized by one umbrella topic sentence.

I suggest that you take the time to pre-write before drafting any writing task. Compose your thesis statement first; then, brainstorm the body paragraphs. Next, draft the body paragraphs, skipping space to later write your introductory paragraph. Then, write the introduction. Finish the writing with your conclusion paragraph.

Now you have the right strategies to make your case, using a variety of effective evidence. Using the CeF SCALE evidence strategies will help you convince your jury.

Find 42 sequenced writing strategy worksheets and quickly move students from simple three-word paragraphs to complex multi-paragraph essays. With 64 sentence revision lessons, additional remedial worksheets, writing fluency and skill lessons, posters, and editing resources, the teacher can differentiate instruction with no additional prep with Teaching Essay Strategies.

Writing , , , , , , , , , ,

Eight Great Tips for Teaching Writing Fluency

With the inclusion of essays on high-stakes tests such as the SAT® and ACT®, as well as many state standards tests and high-school exit exams, the need to improve writing fluency has recently surfaced as a desired goal. Which approaches to writing fluency work best?

1. Teach students to read a variety of writing prompts. Expose students to different content area and writing domain prompts. For example, using social science, literature, and science content with informational, expository, analytical, and persuasive domains. Teach students to read the writing prompt twice—the first time for understanding and the second time to circle the subject and highlight key words. 

2. Give students ample practice in turning writing prompts into effective essay topic sentences. “Thesis Turn-Arounds” can be a productive “opener” to any lesson in any subject area. For example, if the prompt reads “Analyze the causes of the Civil War,” students could begin their theses with “Many causes contributed to the Civil War.”

3. Give students practice in developing quick pre-writes to organize a multi-paragraph writing response. Teach a variety of graphic organizers and review how each is appropriate to different writing prompts.

4. Give students practice in writing introductory paragraphs after pre-writing. Give students practice in writing just one timed body paragraph to address one aspect of the essay after pre-writing.

5. Provide immediate individual feedback to students with brief writers conferences.

6. Use the overhead projector to use critique real student samples. Write along with students and have them critique your writing samples.

7. Teach how to pace various allotted essay times. For example, the SAT® essay is only 25 minutes. Most state tests allot 60 minutes. Brainstorm and allocate times before a full essay writing fluency for the following: analysis of the writing prompt, pre-write, draft, revisions, editing.

8. If a brief reading passage is part of the background for the writing task, teach students to annotate the passage with margin notes as they read.

Find 42 sequenced writing strategy worksheets and quickly move students from simple three-word paragraphs to complex multi-paragraph essays. With 8 writing fluencies, 64 sentence revision lessons, additional remedial worksheets, and skill lessons, posters, and editing resources, the teacher can differentiate instruction with no additional prep with Teaching Essay Strategies.

Writing , , , , , , , , ,