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The Writing Process and Writers Workshop are not simply processes by which students explore and refine their writing on their own. The teacher plays an active role in teaching and modeling the writing strategies that students need to acquire to become coherent writers. Both explicit and implicit instruction have their appropriate roles within writing instruction. Creating  and maintaining an experimental community of writers is no easy task for the writing instructor. However, the pay-offs are certainly worth the effort.

The diverse classroom provides unique challenges for both students and writing instructor. By its very nature, much of writing instruction is differentiated instruction. Classroom management and creation of a workable writing climate are essentials to successful learning.

Following are articles, free resources, and teaching tips regarding how to facilitate the Writing Process and Writers Workshop from the Pennington Publishing Blog. Bookmark and visit us often. Oh, and don’t forget to copy down the 10% discount code found only on this blog to purchase the quality curricula and resources offered by Pennington Publishing.

The Writing Process/Writers Workshop

How to Write Effective Essay Comments

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Conscientious teachers know that merely completing a holistic rubric and totaling the score for a grade is not effective essay response or writing assessment. Teachers may choose to grade and/or respond with essay comments after the rough draft and/or after the final draft. Using the types of comments that match the teacher’s instructional objectives is essential. Additionally, keeping in mind the key components of written discourse can balance responses between form and content. Finally, most writing instructors include closing comments to emphasize and summarize their responses. Here’s how to write truly effective essay comments.

How Much and What to Mark on Essays

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For those who still assign writing process essays and/or essay exams and believe that students can and do benefit from comments, the question of How Much and What to Mark on Essays is relevant. Working smarter, not harder and focusing on efficiency and outcomes over pedagogical purity are worthy mantras for effective writing instruction.

How to Dissect a Writing Prompt

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Knowing exactly what the writing assignment requires in terms of the audience, role of the writer, topic and its context, purpose of the essay, essay format, resource text, and key writing direction words are all necessary components of this task. Following is a step-by-step procedure for dissecting a writing prompt.

How Many Essay Comments and What Kind

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So, to summarize how many essay comments and what kind, writing research would suggest the following: Comment on rough drafts, not final drafts. Limit the amount of comments and individualize those to the needs of the student writer. Balance the types of comments between writing errors and issues of style, argument, structure, and evidence. Hold students accountable for each mark or comment. Comments are better than diacritical marks alone. Comments should explain what is wrong or explain the writing issue.

Computer-Scored Essays

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Teachers recognize the value of essay compositions as vital tools for learning, self-expression, and assessment. However, essays just take too much time to read, respond to, and evaluate. As a result, computer-scoring of student writing is being actively marketed to K-12 schools and universities. But teacher organizations, such as the NCTE and CCCC adamantly oppose machine-scored writing. Is there a middle ground that uses technological efficiency and maintains teacher judgment?

Writer’s Workshop Mini-Conferences

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With Writer’s Workshop, teachers typically organize a one-hour workshop so that at least half of the time is devoted to writing, peer conferences, and writer-teacher mini-conferences. Properly managed, the writer-teacher mini-conference can be a key ingredient to the success of developing writers. Here are some tips to make the most out of Writer’s Workshop Mini-Conferences and some great attachments, links, and free downloads as well.

Differentiating Instruction in Writer’s Workshop

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Critics of Writer’s Workshop often complain that Writer’s Workshop can be inefficient and/or a class management nightmare. Some teachers have tried Writer’s Workshop, but have given up because the workshop is interest-based, not standards-based or because it is student-centered, not teacher-centered. Neither of those criticisms concerns me greatly. However, I do feel that the traditional model of Writer’s Workshop is not as conducive to differentiated instruction as it could be. Specifically, tweaking the mini-lesson will allow teachers to better differentiate instruction within Writer’s Workshop.

Essay Comment Excuses

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Teachers know that detailed essay comments are keys to effective writing instruction but are adept at creating essay comment excuses to avoid the time and energy it takes to do the job. But, how can we do a great job with essay response and still maintain some semblance of a life outside of work? Canned comments. Ones to cut and paste from your computer. But… really good ones.

Analytical Rubrics

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Teachers use two types of rubrics to assess student writing: holistic and analytic. Of the two rubrics, the analytical rubric offers both teachers and students much more to work with to improve student writing. Here are five reasons why using analytical rubrics makes sense.

What’s Wrong with Holistic Rubrics?

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It’s a relatively easy task to criticize any measure of writing assessment. This is my chore in What’s Wrong with Holistic Rubrics. We should use holistic rubrics for many writing assessments. However, we shouldn’t use holistic rubrics to teach writing. Holistic rubrics are, by design, summative assessments. Summative assessment is limited to evaluation, and evaluation is not instruction.

20 Tips to Teach Writing through Music

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Students have internalized the structure, syntax, and rules of music far more than that of any writing genre. This prior knowledge is simply too valuable for the writing teacher to ignore. Analyzing the songwriting composition process will enable students to apply the relevant strategies to their own writing of narratives, poetry, essays, and reports (and maybe even songs).

How to Teach a Balanced Writing Program

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Teachers see more value today in an eclectic approach to teaching writing. We embrace both part-to-whole and whole-to-part instruction. No one wants to throw away explicit grammar, spelling, and writing strategies instruction or the writing process. In a previous article, I have made the case that a balanced writing program makes sense. Learn the six steps to take to develop a balanced and effective writing program.

Using Music to Develop a Productive Writing Climate

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Using the craft of songwriting as a guide, the writing teacher can develop a productive writing climate. Combining resources, collaboration, and competition with an atmosphere of social networking can improve student motivation, commitment, and end product.

Using Music to Develop a Creative Writing Culture

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Music, and songwriting in particular, can help teachers develop a creative writing culture. Learning the lessons of musical composition can improve student writing.

Ten Tips for Coaching Basketball and Writing

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Learning to apply the coaching techniques of an effective basketball coach will significantly improve your ability as a writing coach for your students. Learn the ten tips to change from “the sage on the stage” to the “guide on the side.”

How to Write an Effective Essay Prompt

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Writing effective writing prompts that will engage writers and produce the best written responses can be challenging. This article shares the best tips for writing good writing prompts that will allow room for creative interpretation and analysis. The article also defines the common writing direction words that inform and persuade.

How to Teach the Writing Domains (Genres)

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Teaching the writing domains (genres) and rhetorical stance are two essential lessons for developing young writers.

Process vs. On Demand Writing

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The advent of timed writings on high stakes tests, such as the new SAT 1, high school exit exams, and standards-based writing assessments, has placed teachers in the difficult position of choosing among three instructional approaches to help students learn to write and succeed on these tests: process writing, on demand writing, or a mix of the two. All three approaches share the same challenge: little time is allocated for writing instruction.

Ten Tips to Teach On-Demand Writing

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On-demand writing assessments are here to stay. Teachers do a disservice to their students by not preparing them for the on-demand writing tasks that they will face throughout their academic and vocational careers. Here are ten practical tips to teach timed, on-demand writing to ensure success for your students.

Eight Great Tips for Teaching Writing Fluency

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Similar to reading fluency, writing fluency is the ability to write effortlessly without interruption. Writing fluency is developed through concentrated practice; however, some practices are more effective than others. This article shares the best writing fluency strategies.

How to Teach a Write Aloud

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Research shows that the best writers have learned how to creatively multi-task, problem-solve, and interact with the anticipated reader. This is a skill that can be effectively taught by using the Write Aloud strategy.

Twelve Tips to Teach the Reading-Writing Connection

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Educators often talk about the reading-writing connection. Teaching reading and writing strategies concurrently allows teachers to “kill two birds with one stone.” The following twelve techniques to teach the reading-writing connection will enhance students’ facility in both disciplines.

More Articles, Free Resources, and Teaching Tips from the Pennington Publishing Blog

• English-language Arts Standards
• English-language Arts Instruction
• Essay Strategies
• The Writing Process/Writers Workshop
• Writing Style
• Grammar and Mechanics
• Spelling
• Vocabulary
• Structural Analysis/Syllabication/Oral Language
• Teaching Reading in the ELA Classroom
• ELA/Reading Assessments
• Reading Intervention
• Independent Reading
• Response to Intervention
• EL/ESL
• Differentiated Instruction (RtI)
• Critical Thinking
• Study Skills
• Test Preparation
• Educational Issues and Teaching Trends
• Developmental Characteristics
• Professional Development

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Teaching Essay Strategies is the comprehensive writing curriculum, designed to teach your students how to write coherent multi-paragraph essays. Students progress at their own pace through 42 sequential essay strategy worksheets and  skill lessons (including writing style, parallelism, coherency, unity, and writing evidence) to compose 8 complete essays in the different essay genres. Also get 64 sentence revision (sentence combining and grammatical sentence patterns) and 64 rhetorical stance “opener” lessons, 8 on-demand writing fluencies, remedial writing worksheets, writing posters, holistic and analytical rubrics, graphic organizers, and editing resources. No other writing program matches the comprehensive resources of this curriculum. Truly individualize  instruction with the resources found in this large three-ring binder. 359 pages

Grammar/Mechanics, Writing author's chair, brainstorming, cooperative learning, Donald Graves, editing, essays, how to teach the essay, prewriting, the writing process, thesis statements, writers workshop, writing assignments, writing climate, writing expectations, writing hooks, writing response, writing revision, writing strategies

Before sharing these proofreading strategies, let’s place proofreading in its proper place within the writing process. Although writing process purists would always relegate proofreading to the last step in the process: the editing step, many fine writers choose to proofread throughout the composition process. Especially with the advent of effective spelling and grammar tools on Microsoft Word® and other word processing programs, features such as “Auto Correct” may make the “proofread-continuously-and-throughout” approach preferable for some writers.

Proofreading should certainly be treated differently from writing revision. Proofreading focuses on conventional correctness, while revision works with the writer’s meaning-making, that is, ideas and how these ideas are expressed in exposition or how the story is told in narration. Although the divisions between the two processes are not always neat and tidy, most would agree that spelling, grammar, punctuation, capitalization, proper use of quotes, paragraphs, usage, and some word choice issues belong to the proofreading process, while sentence variety, coherence, unity, transitions, and other word choice issues would belong to the revision process.

The Proofreading Process

The subject of proofreading having been better defined, let’s move on to the proofreading process. Up to 50 percent of all spelling and grammatical errors can be corrected by applying proofreading strategies. Many might question that percentage and ask, “How can writers find their own mistakes? If they knew how to write something correctly, wouldn’t they do so in the first place? No one intentionally makes mistakes.”

Writers make errors in spelling, grammar, punctuation, capitalization, proper use of quotes, paragraphs, usage, and word choice for a variety of reasons. Of course, ignorance is certainly a chief reason. However, writers also make mistakes due to carelessness or distractions. Writers may make mistakes when reflecting back on what they just wrote or thinking ahead to what they will write next. All writers have had the experience of thinking they are saying one thing, but actually saying another.

Although word processors have helpful tools, the human element of proofreading is still essential. There is no substitute for carefully re-reading one’s own work. Even if someone else has looked for mistakes, the writer best knows what is being said.

Proofreading Strategies

1. Proofread one paragraph at a time. Paragraphs are the writer’s divisions of meaning. A new paragraph means a new topic or a new voice. Thus, the writer must deal with the old completely, before moving on to the new. Complete all of the following proofreading strategies before moving on to the next paragraph. The corrections appear at the end of the article.

Practice

Silently read the three paragraphs all the way through. Then, re-read one paragraph at a time, consciously looking for errors. Most writers will find more errors when focused on one paragraph at a time.

“Come look at whats going on, but hurry, I said. I was certain the that admonition was exaggerated as, usual. But, I obediently want outside in to the darkness.

Amanda pointed up to the darkening sky “and said, this is very strange indeed.”

I found it hard too except what I saw in that sky. The the old familar moon was partially covered by a eclipse and had turned blood read.

2. Read the paragraph out loud. Pronunciation informs spelling and will provide an auditory check with the writer’s own oral language skills read for grammar, usage, and word choice.

Practice

Read the following silently at a normal reading pace. Then, read it out loud. Most will find that pronunciation helps the reader identify the correct meanings of the words from the spelling errors. The corrections appear at the end of the article.

Wunts ah pawn ah tyem, dare wur deez tree leddel peegz zat lift en dah zaym playz. Eggsulee, day lift en dare owen homz en dah viludg. Wun uv deez howez s wuz mayd uv ster aw, uhnudder ov stah ix, weth dah vest wun billt owd uv ber ix.

Wun mornen, de viludg wulf kaym dew balow dez peegz howz s dowen. De furest wunz kaym dowen eze, bud de ber ik howz wud ant fahel. De dum wulf klhimd uhp awn de ruf ant juppd dowen dah cha emne. Dah tree leddel peegz hadah boyleenk pahot uv wahder waytink en de fierplaz. Da wulf fel en de pahot ant de peegz ade im fer lahunj.

VN

Used by kind permission of Random House from Better Spelling in 5 Minutes a Day, Mark Pennington, ©2001 Prima Publishing, p.108

3. If typed on a word processor, try increasing the font size or changing the font to see the words in a new way. Print it out to proofread. Different formats help us see things differently.

4. Focus on one specific proofreading issue at a time. For example, proofread the paragraph out loud for grammar mistakes. Then, proofread the same paragraph out loud for capitalization mistakes, etc.

5. Over-emphasize punctuation when you proofread out loud. Errors in commas and question marks are better identified with this strategy.

6. Use a 3 x 5 card with one corner cut out in order to isolate individual words. Then, proofread the paragraph by reading it backwards with the card, isolating one word at a time. Proofreading by isolating words helps because we often “read through” spelling or word choice errors because we know what we mean to say and because we read for meaning, and don’t focus not on individual words.

Practice

Read the following silently at a normal reading pace. Then, read it out loud and backwards, using your finger to isolate each word. Most will find that isolation helps the reader identify spelling and word choice errors. The corrections appear at the end of the article.

Of corse, you were probally more suprised then I to here about the difficulties they where haveing.

7. Teach students and parents the common proofreading symbols and have both practice on each other’s papers.

8. Teach the commonly confused homonyms such as hear-here and there-their-they’re and tell students to be especially alert for these words when proofreading.

9. Waiting a few days allows a writer to edit with fresh eyes-so does having someone else proofread your paper.

10. Use spell check and grammar check on the word processor, but use them judiciously. Spell check misses homophones (words sounding the same, but spelled differently) and omitted words.

Practice

Read the following, noticing the homophones (sounds the same-spelled differently). None of these errors would be caught by word processing tools.

Eye no sum won named Spell Check.

He lives in my Pea See.

He’s  awl weighs their to try and help

When I hit a wrong key.

but when I rite an e-male,

On him I can’t depend.

I kneed two also proof reed

Bee four I push the SEND

Used by kind permission of Random House from Better Spelling in 5 Minutes a Day, Mark Pennington, ©2001 Prima Publishing, p.113

The E-Mail I wish I Hadn’t Sent

Dear Martha,

I’m so sad about what has happened to you! I’ve never seen such a huge waist, but their loss will be your gain. at least now I’ll get to see more of you. Remember, good things come to those who weight.

Your Friend, Through Thick and Tin,

John

P.S. Cheer up. You’ll find another job soon.

Used by kind permission of Random House from Better Spelling in 5 Minutes a Day, Mark Pennington, ©2001 Prima Publishing, p.114

Answers

“Come look at what’s going on, but hurry,” I said. I was certain that the admonition was exaggerated, as usual. But, I obediently went outside into the darkness.

Amanda pointed up to the darkening sky and said, “This is very strange, indeed.”

I found it hard to accept what I saw in that sky. The the old familiar moon was partially covered by an eclipse and had turned blood red.

…………………………………………………………………………………………………………………………………………………………

Once upon a time, there were these three little pigs that lived in the same place. Actually, they lived in their own homes in the village. One of these houses was made of straw, another of sticks, with the best one built out of bricks.

One morning, the village wolf came to blow these pigs’ houses down. The first ones came down easy, but the brick house wouldn’t fall. The dumb wolf climbed up on the roof and jumped down the chimney. The three little pigs had a boiling pot of water waiting in the fireplace. The wolf fell in the pot and the pigs ate him for lunch.

The End

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Of course, you were probably more surprised than I to hear about the difficulties they were having.

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Find whole-class diagnostic grammar and mechanics assessments with 72 targeted worksheets to differentiate instruction based upon these assessments and a full year of 15-minute sentence lifting lessons with standards-based mechanics, spelling, and grammar skills in Teaching Grammar and Mechanics.

Grammar/Mechanics, Writing editing, grammar errors, proofreader marks, proofreading, proofreading marks, proofreading strategies, revision, spelling errors

Writing is a complicated thinking process. It requires an enormous amount of multi-tasking, problem-solving, interactivity, and creativity. There is science to effective writing, but there is also art. Unlike reading, which provides the author component of the dialog between reader and text, writing requires the thinker to generate both sides of the dialog. The writer must create the content and anticipate the reader response. Like reading, writing is chiefly learned through direct instruction, modeling, and practice.

Of the three instructional components necessary for effective writing instruction (direct instruction, modeling, and practice), the Write Aloud strategy focuses on the modeling component. In essence, the teacher shows students how he or she composes by thinking out loud and writing out that process so that students can think along with the writer. The Write Aloud is also referred to as “Modeled Writing.”

Writing is certainly not a natural process. Developing writers do not have a priori understanding about how to compose. Thus, teachers play a crucial role in helping to develop good writers.

Teaching students to carry on an internal dialog with their anticipated readers while they write is vitally important. “Talking to the reader” significantly increases writing coherency. Placing the emphasis on writing as the reader will read that writing also helps the writer determine the structure of that writing and so unify the whole.

Good writers are adept at practicing many metacognitive strategies.  That’s a big word that means “thinking about thinking.”  Students who practice these self-monitoring strategies develop better writing fluency those who do not.

Write Aloud Sample Lesson

1. Select a short, high interest section of dialog from a story familiar to all students. The dialog will help students understand the interactive components of the Write Aloud strategy. Post the dialog on the board, Smartboard®, or overhead projector. Write this brief prompt, or one of your own, below the dialog: “Analyze the character development in ___________.”

2. Tell them that they are to listen to your thoughts carefully, as you read the brief dialog from ____________, and that they are not allowed to interrupt with questions during your reading. Read the short dialog out loud and interrupt the reading frequently with concise comments about the plot context and what and why the characters are saying what they say. Focus on comprehension, not character development for your first read.

3. After reading, ask students if they think they understood the text better because of your verbalized thoughts than just by passively reading without active thoughts. Their answer will be “Yes,” if you have read effectively. Quickly remind students to listen well and not to interrupt.

4. Tell students that they are now going to learn an important thinking strategy, and that they will listen to your thoughts as an experienced writer. Tell them that your thoughts will not be the same thoughts as theirs. Explain that learning how to think is the focus of this activity, not what to think. Tell them that they can improve the ways in which they think.

5. Tell students that you are going to brainstorm ideas for a character analysis essay during your Write Aloud. Point to the word brainstorm on your Writing Process charts and tell students that you are only going Write Aloud this one part of the process. Remind students that they are to listen to your thoughts carefully, but they are not allowed to interrupt with questions during the activity.

6. Now, read the prompt out loud and define analyze as “to break apart the subject and to explain each part” as if you are reminding yourself of the definition. Re-read the dialog out loud and interrupt the reading frequently with concise comments about how the characters are saying what they say. Write down your comments below the dialog in a graphic organizer. Explain that you are going to use a mapping, a.k.a. bubble cluster, graphic organizer to brainstorm your ideas because it will help you organize your thoughts and allow you to add on new ones as you think of them. Focus your comments (and writing) on these four components: character personalities, descriptions, motives, and author word choice. Ask if the organization and comments will make sense to the reader. Don’t ramble on with personal anecdotes. Comment much more on the text than on your personal connection with the text.

7. After reading, ask students if listening to you think and watching you write down your thoughts helped them understand how the characters are saying what they say. Their answer will be “Yes.” Ask students to repeat what you said that most helped them understand your thinking process. Ask students how they would think differently about what to write, if they were teaching the Write Aloud.

8. Post two new dialogs on the board, Smartboard®, or overhead projector with the same prompt as above.

9. Group students into pairs and have students practice their own Write Alouds, using the two dialogs. This can get quite noisy, so establish your expectations and remind students that they will be turning in their graphic organizers.

10. Repeat the Write Aloud procedure often with different components of the Writing Process, with or without different prompts, and with different writing tasks or genre.

Find essay strategy worksheets, writing fluencies, sentence revision activities, remedial writing lessons, posters, and editing resources to differentiate essay writing instruction in Teaching Essay Strategies at www.penningtonpublishing.com.

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Punctuation/Examples

Commas                                                                      

-Use commas before or after speaker tags.                  

She said, “Call me at home.”

-Use commas to set apart appositives.                         

That man, the one with the hat, left.

-Use commas after each item in lists (except the last).   

John, Jane, and Jose left early.

-Use commas after introductory words or phrases.       

First of all, you should listen to me.

-Use commas between number dates and years.                    

It all happened on May 3, 1999.

-Use commas between geographical places.                 

She lived in Tampa, Florida.

-Use commas after greetings/closings in personal letters.           

Dear Ralph, … Sincerely, …

-Use commas after nouns of direct address.                 

Kristin, leave some for your sister.

-Use commas before conjunctions to join two independent clauses.

I liked her, and she liked me.

Exclamation Points                                                                   

-Use exclamation points for surprise or strong emotions.           

The decision really shocked me!

Quotation Marks

-Use quotation marks before and after direct quotations.          

Sue said, “I’m going to bed.”

-Use quotation marks before and after songs, poems, document titles, book chapters, magazine articles, and short story titles.   

Whenever I hear “Clementine,” it reminds me of “Leaves of Grass” and “The Gettysburg Address.”

Colons                                                                                    

-Use colons after business letter greetings.                    

Dear Sirs:

-Use colons to introduce lists.                                      

The following: shoes, pants, and…

-Use colons between numbers in relationship.               

8:52 P.M.

Semicolons                                                                              

-Use semicolons to join independent clauses without conjunctions.

Jamal went to school; Larry met him.

Underlining                                                                              

-Underline movie, television show, book, magazine, and work of art titles.

I saw the wonderful Fiddler on the Roof last night.

Apostrophes                                                                            

-Use apostrophes for contractions.                                           

I can’t see what they’re doing.

-Use apostrophes for singular and plural possessives.   

Tom’s and the girls’ coats were red.

Parentheses

-Use parentheses to explain or define.                          

The hombre (man) rode off alone.

Capitalization                                                               

-Capitalize proper nouns (a name that is given to special persons, places, or things).

Ryan visited Los Angeles to visit the Holocaust Museum.

-Capitalize holidays, dates, groups, organizations, and businesses.

Last Easter on March 24, 2002 the P.T.A. and McDonald’s helped out.

-Capitalize the first, last, and any important words in titles.

Prince Charles’s favorite book was Islands of Adventure.

-Capitalize the names of languages and peoples.                       

He spoke Spanish to the Indians.

-Capitalize special events and historical periods.                       

The New Year’s Day Parade celebrates the Year of the Dog.

Find whole-class diagnostic grammar and mechanics assessments, enabling 4th–12th grade teachers to differentiate instruction with 72 targeted worksheets in Teaching Grammar and Mechanics. The book has a full year of 15-minute sentence lifting lessons with standards-based mechanics, spelling, and grammar skills that teach all the conventions needed for successful writing.

Grammar/Mechanics, Writing capitalization rules, conventions, editing, grammar, mechanics rules, proofreading, punctuation rules

It’s true that writing style is very personal and varies from author to author. After all, who wants to read everything in the style of, say, Hemingway? However, writing style is not just subjective. Indeed, good writing style does have objective rules to follow. Here are the key rules of writing style, written with tongue-firmly-planted-in-cheek examples. Explaining the humor will help your students understand the writing style concept and/or rule.

1. Avoid intentional fragments. Right?

2. Avoid formulaic phrases in this present day and age.

3. I have shown that you should delete references to your own writing.

4. Be sort of, kind of specific.

5. Don’t define terms (where a specialized word is used) using “reason is,” “because,” “where,” or “when” because this writing style is boring.

6. Avoid using very interesting, super nice words that contribute little to a sentence.

7. Prepositions are not good to end sentences with.

8. It is a mistake to ever split an infinitive.

9. But do not start a sentence with a coordinating conjunction.

10. Avoid using clichés like a bad hair day.

11. Always, avoid attention-getting alliteration.

12. Parenthetical remarks should (most always) be avoided.

13. Also, never, never repeat words or phrases very, very much, too.

14. Use words only as they are defined, no matter how awesome they are.

15. Even if a metaphor hits the spot, it can be over-played.

16. Resist exaggeration; it only works once in a million years.

17. Writers should always avoid generalizations.

18. Avoid using big words when more utilitarian words will suffice.

19. What use are rhetorical questions?

20. The passive voice is a form to be avoided, if it can be at all helped.

21. Never write no double negatives.

22. There are good reasons to avoid starting every sentence with There.

23. Always, absolutely avoid overstating ideas.

24. Keep pronoun references close to subjects in long sentences to make them clear.

Find 42 sequenced writing strategy worksheets and quickly move students from simple three-word paragraphs to complex multi-paragraph essays. With 64 sentence revision lessons, additional remedial worksheets, writing fluency and skill lessons, posters, and editing resources, the teacher can differentiate instruction with no additional prep with Teaching Essay Strategies.

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