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Teaching Fact and Opinion: When, What, and How

Recently, a New York State elementary test prep site has been generated some buzz regarding its use of the terms fact and opinion. Here is one of the test items that elementary students are to label as fact or opinion. Researchers believe the Pterosaurus flew as fast as 25 miles per hour. The test’s answer may surprise you.*

Read on to learn when to teach, what to teach, and how to teach fact and opinion. Some may quibble a bit with my scope and sequence of instruction, my definitions of key terms, or my language of instruction. But then everyone has his or her own opinion, and furthermore, don’t confuse me with the facts!

Birds and the Bees

Teaching fact and opinion should be a lot like teaching “the birds and the bees.” The content and process should be appropriate to the age level. We don’t need to give all the answers to the seven-year-old’s question: “Where do babies come from?” However, with all-due apologies to stork advocates, we do need to give accurate, albeit incomplete, responses as a foundation to layer-in additional knowledge at the appropriate times.

Importance and Relevance

Helping students understand and apply the differences between fact and opinion is crucial to analytical reading, writing, listening, and speaking. Distinguishing between fact from opinion is key to interpreting information intelligently. It is one of the few “macro” skills that is, indeed, interdisciplinary. It is also a skill that is refined from elementary school up through post doctoral study. Furthermore, it is a skill of life-long learning and daily use.

What Fact and Opinion is Not

One of the best ways to learn anything well is to learn what it is not. Teachers may cringe a bit over this section or perhaps get a bit defensive because they may have misinformed their students over the years. Don’t fret. Knowledge changes and students are flexible. We’ve all taught that Pluto was our ninth planet for years, until recently.

  • Fact is not “something proven true.”
  • Fact is not “something accepted as true by most people.”
  • Fact is not “truth.”
  • Opinion is not “what you like”
  • Opinion is not “just what you believe”
  • Opinion is not “It’s just your opinion” or “You have your opinion and I have mine”

Teaching Fact and Opinion: When, What (with Exemplars), and How

When? 3rd – 4th Grades

What?

  • Fact is something said or done in the past or present. Exemplars: “He painted the wall blue” or “He said, ‘That wall is an ugly shade of blue.’”
  • Opinion is a belief. Exemplar: “Blue is a better color for this wall than green”

How? Memorize those definitions and exemplars. Identify and judge between fact and opinion from examples. Apply in both narrative and expository writing.

When? 5th – 6th Grades

What?

  • Fact can be used as evidence or can be supported by other evidence. Exemplars: “Walls can be painted in different colors. For example, one wall is blue” or “One wall is blue. This proves that walls can be painted in different colors.”
  • By definition, facts cannot be wrong. False Exemplar: “He got his facts about the blue wall all wrong.” Explanation: We really mean that he did not state facts or that he misapplied the use of those facts.
  • Opinion can be used as evidence or can be supported by other evidence. Exemplars: “Two boys in the class are color blind, so blue is a better color for this wall than green” or “Blue is a better color for this wall than green because the chairs in the classroom have blue backs.”
  • Opinion is not a preference. Exemplar: “In my opinion, I like blue walls.” Explanation: Liking one color over another states a personal preference, not an opinion.

How? Memorize those definitions and exemplars. Identify and judge among fact, opinion, and preference from examples. Apply fact and opinion as both evidence and as evidentiary support in both narrative and expository writing.

When? 7th – 8th Grades

What?

  • Fact is something could be verifiable in time and space. Exemplar: “The wall was painted blue in 1973.” The fact would certainly be verifiable if the school office files contained a similar shade of blue paint chip, attached to a dated 1973 receipt for blue paint and a painting contractor’s 1973 dated invoice marked ‘Paid in Full.’”
  • Fact is not based upon consensus or tradition. False Exemplars: “”It’s an established fact that retired educators living in the town think that the walls of that classroom have always been blue” or “Historians assert and Americans have traditionally held that Pilgrims and Native Americans ate turkey at the first Thanksgiving.” Explanation: The conclusion of experts or a traditional belief, even over long periods of time, does not constitute a fact.
  • Fact is not definition. False Exemplars: “It’s a fact that blue is a mix of green and yellow” or “2 +2 = 4 and If A = B and B = C, then A = C.” Definitions simply state that one thing synonymously shares the same essence or characteristics of another thing. Much of math deals with meaningful definitions, called tautologies, not facts, per se.
  • Fact is not a scientific theory. False Exemplar: The universe began fifteen billion years ago withthe “Big Bang.” Explanation: “Facts and theories are different things, not rungs in a hierarchy of increasing certainty. Facts are the world’s data. Theories are structures of ideas that explain and interpret facts. Facts do not go away when scientists debate rival theories to explain them.” Stephen Jay Gould
  • Opinion is a belief or inference (interpretation, judgment, conclusion, or generalization). Check out my Top Ten Inference Categories Exemplar: “Blue is a better color for the classroom walls than red, because blue is a more soothing color.”
  • By definition, opinions are arguable, much like persuasive essay thesis statements. Exemplar: “Blue walls are more stylish than white walls.”
  • Opinions can be categorized as valid or invalid based upon their evidentiary support. Exemplar: “In a survey of thirty building-design architects, 28 of 30 stated that blue walls were ‘more stylish’ than white walls.” False Exemplar: “I asked the owner of All-Blue Paint Company if blue or white walls were more stylish, and he said ‘blue.’” Explanation: The owner would certainly not be an unbiased source and the survey sample is too small to provide meaningful data.

How? Memorize those definitions and exemplars. Identify and judge among fact, opinion, preference, consensus, tradition, definition, and theories from examples. Indentify and judge between valid and invalid opinions. Identify whether facts are verifiable and whether opinions are arguable. Apply fact and opinion as both evidence and as evidentiary support in both narrative and expository writing.

When? 9th – 10th Grades

What?

  • Fact is an objective reflection of reality. A fact exists independent of our sensory experience. Exemplar: “If a classroom’s walls are blue, then someone must have painted them that color.”
  • Fact can be misapplied and manipulated when used out of context or in combination with other irrelevant facts. False Exemplar: “He said, ‘The classroom walls need painting.’”  “The teacher said, “Blue has always been my favorite color.” The contractor painted the her classroom walls blue. Explanation: There is no necessary connection between the three facts. Combining the three possibly unrelated facts leads one to infer that the teacher had input regarding the color selection of her classroom walls.
  • Fact is not the same as truth. False Exemplar: “It’s a fact that the classroom walls are blue.” Explanation: This is known as a category error. We can state the fact that the walls were painted blue or the fact that someone said that they are blue, but this is not the same as truth. There is no process of falsification with facts, as there is with truth. For example, we could not say “It’s not a fact that the classroom walls are black.” Similarly, in a criminal court case, if a defendant pleads not-guilty to the charge that he or she murdered someone, the prosecution must falsify this plea and prove the truth of the guilty charge via evidence, such as facts, in order to convict the defendant.
  • Opinions are subjective interpretations of reality. Exemplar: “Neon green walls would more likely keep students awake and attentive, rather than soothing blue walls.”
  • Opinions can be manipulated and taken out of context. False Exemplar: “He said, ‘Blue walls seem more soothing than red ones.’” “He said, ‘That wall is an ugly shade of brown.’” “He will only be satisfied if we paint his classroom walls blue.” Explanation: Putting together two opinions that are not necessarily related can lead to an invalid inference.

How? Memorize those definitions and exemplars. Identify how facts are objective and opinions are subjective from examples. Indentify and judge how facts and opinions may be manipulated, misapplied, and taken out of context. Identify the difference between fact and truth with examples.

When? 11th – 12th Grades

What?

  • Fact is not a phenomenological representation of reality. False Exemplar: “The walls appear blue during the day, but have no color at night.” Explanation: Just because the blue color appears to disappear at night due to the absence of light, does not mean that this describes reality. To say that the sun rises in the east and sets in the west describes how things appear from our perspective, not what factually occurs.
  • Fact is studied in the philosophical discipline of ontology. Exemplar: “Existence is proven by the act of thinking about existence—cogito ergo sum” “I think, therefore I am” Rene Descartes
  • Fact is studied in the philosophical discipline of epistemology. Exemplar: “How can I know to what extent the “facts” of scientific observation have been influenced by my biases, the limits of my sensory experiences, and the act of observation in it of itself?”
  • A fact is not a claim. False Exemplar: “Blue walls make my students perform better on standardized tests.” Explanation: This is a category error. A claim is an inference, more closely related to an opinion than a fact, yet still different. This claim suggests that there is a causal relationship between wall color and student test performance. Akin to a “green 3,” there is no necessary connection between the two concepts. A positive correlation may, indeed, be found; however, asserting such would still not be factual.
  • Opinions that appear to differ need not be mutually exclusive. Exemplar: “Teacher A thinks blue walls are better than white walls because blue hides dust and marks while white does not. Teacher B totally disagrees with Teacher A’s rationale but believes that students would much prefer blue over white for their classroom.”

How? Memorize those definitions and exemplars. Identify the difference between factual and phenomenological representations of reality. Identify the relevant study of ontology and epistemology with regard to fact. Identify the difference between facts and claims. Identify and judge from examples how seemingly contradictory opinions need not be mutually exclusive.

*The test answer was “opinion.” Read my article and you will find out why the test-maker was mistaken.

Mark Pennington, MA Reading Specialist, is the author of the comprehensive reading intervention curriculum, Teaching Reading Strategies. Designed to significantly increase the reading abilities of students ages eight through adult within one year, the curriculum is decidedly un-canned, adaptable to various instructional settings, and simple to use. Get multiple choice reading assessments on two CDs, formative assessments, blending and syllabication activitiesphonemic awareness and phonics workshops, comprehension worksheets, multi-level fluency passages on eight CDs, 390 flashcards, posters, activities, and games. Everything teachers need to teach a diagnostically-based reading intervention program for struggling readers at all reading levels is found in this comprehensive curriculum. Perfect for ESL and Special Education students, who struggle with language/auditory processing challenges. Simple directions and well-crafted activities truly make this an almost no-prep curriculum. Works well as a half-year intensive program or full-year program, with or without paraprofessional assistance. 364 pages

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How to Teach a Write Aloud

Writing is a complicated thinking process. It requires an enormous amount of multi-tasking, problem-solving, interactivity, and creativity. There is science to effective writing, but there is also art. Unlike reading, which provides the author component of the dialog between reader and text, writing requires the thinker to generate both sides of the dialog. The writer must create the content and anticipate the reader response. Like reading, writing is chiefly learned through direct instruction, modeling, and practice.

Of the three instructional components necessary for effective writing instruction (direct instruction, modeling, and practice), the Write Aloud strategy focuses on the modeling component. In essence, the teacher shows students how he or she composes by thinking out loud and writing out that process so that students can think along with the writer. The Write Aloud is also referred to as “Modeled Writing.”

Writing is certainly not a natural process. Developing writers do not have a priori understanding about how to compose. Thus, teachers play a crucial role in helping to develop good writers.

Teaching students to carry on an internal dialog with their anticipated readers while they write is vitally important. “Talking to the reader” significantly increases writing coherency. Placing the emphasis on writing as the reader will read that writing also helps the writer determine the structure of that writing and so unify the whole.

Good writers are adept at practicing many metacognitive strategies.  That’s a big word that means “thinking about thinking.”  Students who practice these self-monitoring strategies develop better writing fluency those who do not.

Write Aloud Sample Lesson

1. Select a short, high interest section of dialog from a story familiar to all students. The dialog will help students understand the interactive components of the Write Aloud strategy. Post the dialog on the board, Smartboard®, or overhead projector. Write this brief prompt, or one of your own, below the dialog: “Analyze the character development in ___________.”

2. Tell them that they are to listen to your thoughts carefully, as you read the brief dialog from ____________, and that they are not allowed to interrupt with questions during your reading. Read the short dialog out loud and interrupt the reading frequently with concise comments about the plot context and what and why the characters are saying what they say. Focus on comprehension, not character development for your first read.

3. After reading, ask students if they think they understood the text better because of your verbalized thoughts than just by passively reading without active thoughts. Their answer will be “Yes,” if you have read effectively. Quickly remind students to listen well and not to interrupt.

4. Tell students that they are now going to learn an important thinking strategy, and that they will listen to your thoughts as an experienced writer. Tell them that your thoughts will not be the same thoughts as theirs. Explain that learning how to think is the focus of this activity, not what to think. Tell them that they can improve the ways in which they think.

5. Tell students that you are going to brainstorm ideas for a character analysis essay during your Write Aloud. Point to the word brainstorm on your Writing Process charts and tell students that you are only going Write Aloud this one part of the process. Remind students that they are to listen to your thoughts carefully, but they are not allowed to interrupt with questions during the activity.

6. Now, read the prompt out loud and define analyze as “to break apart the subject and to explain each part” as if you are reminding yourself of the definition. Re-read the dialog out loud and interrupt the reading frequently with concise comments about how the characters are saying what they say. Write down your comments below the dialog in a graphic organizer. Explain that you are going to use a mapping, a.k.a. bubble cluster, graphic organizer to brainstorm your ideas because it will help you organize your thoughts and allow you to add on new ones as you think of them. Focus your comments (and writing) on these four components: character personalities, descriptions, motives, and author word choice. Ask if the organization and comments will make sense to the reader. Don’t ramble on with personal anecdotes. Comment much more on the text than on your personal connection with the text.

7. After reading, ask students if listening to you think and watching you write down your thoughts helped them understand how the characters are saying what they say. Their answer will be “Yes.” Ask students to repeat what you said that most helped them understand your thinking process. Ask students how they would think differently about what to write, if they were teaching the Write Aloud.

8. Post two new dialogs on the board, Smartboard®, or overhead projector with the same prompt as above.

9. Group students into pairs and have students practice their own Write Alouds, using the two dialogs. This can get quite noisy, so establish your expectations and remind students that they will be turning in their graphic organizers.

10. Repeat the Write Aloud procedure often with different components of the Writing Process, with or without different prompts, and with different writing tasks or genre.

Find essay strategy worksheets, writing fluencies, sentence revision activities, remedial writing lessons, posters, and editing resources to differentiate essay writing instruction in Teaching Essay Strategies at www.penningtonpublishing.com.

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The Dark Side of the KWL Reading Strategy

The KWL Reading Strategy has been with us for years. Developed by Donna Ogle in 1986 at the height of “whole language” movement KWL is a metacognitive reading strategy that frequently masquerades under the guise of a comprehension strategy. Although not evil when properly used, this popular strategy has been often misapplied and has taken the place of other more relevant and effective reading comprehension strategies.

Essentially, here is the KWL strategy: The teacher passes out a three-column KWL worksheet to each student. The teacher activates students’ prior knowledge by asking them what they already Know; then students individually, in small groups, or as a whole class list what they Want to learn; after reading, students list and discuss what they have Learned. In 1992, Professor Ogle revised the strategy as KWHL. The added H refers to How the reader plans to find what he or she Wants to learn.

KWL is a metacognitive strategy because it is a problem-solving process that focuses on thinking about and developing a language for the thinking (reading) process. It is reader-centered, not author-centered. There-in lie the pitfalls of this strategy, when misapplied as a reading comprehension strategy.

Because KWL is reader-centered, it is also limited by the background knowledge of the readers. Although the prior knowledge of the K step is significantly enhanced, when brainstormed collaboratively, oftentimes students will share irrelevant, inaccurate, or incomplete information which may well confuse their reading. Of course, the teacher has a role, here, to make the student contributions comprehensible by using analogies, filling in gaps, and synthesizing the students’ collective prior knowledge; however, the question has to be raised: Is this process really worth the time? Is the pay-off worth the process? At the minimum, teachers should be judicious about using the KWL activity by selecting reading topics that are very familiar with their students.

Again, because KWL is reader-centered, it is limited by what is shared by students in the W step. Students don’t know what they don’t know and they similarly don’t know what they Want to know. Or, they may Want to know what is inconsequential, trivial, or not available in the reading or available resources. Following the dictates of reader interest may lead to lots of spinning in circles and tangential bird-walking. A much more useful and purposeful step would be a P for a prediction about what the author will say, after accessing students’ prior knowledge and a brief “picture walk” or “preview” of the reading.

There is nothing magical about the L step. Listing what the reader has learned makes sense as a comprehension check, although it is doubtful whether providing an end-of-reading list actually improves reading comprehension. It does make sense to validate or correct what has been listed in the K and W steps. Other note-taking strategies do teach reader monitoring of the text, so the real issue is a reductive one: Although the L step does focus on the author and text (a good thing), there are better strategies that can be used instead. For example, the PQ RAR read-study method is one of the better author/text-centered reading comprehension strategies for expository text.

Although the author-reader connection is vital to comprehension, the relationship should be weighted heavily on the side of the author. It is the author’s thoughts that we are trying to interpret, not ours per se. The “whole language” movement skewed this relationship on the side of the reader, at the expense of the author, his or her writing, and the reading process itself (decoding, etc.).This is the key issue with response journals disguising themselves as comprehension strategies, such as KWL. They are weighted too heavily on the reader side of the ledger. Schema theory aside, accessing prior knowledge (K) and setting a purpose for the reading (W) are somewhat helpful, but frankly over-valued. The (L) component is really what readers are after. Response journals are good note-taking vehicles and serve nicely to hold students accountable for what they read, but internal monitoring and self-questioning strategies can teach readers to understand the author’s ideas better.

Additionally, focusing on the experience and needs of the readers (K,W) can lead the readers to think of the text as a purely subjective experience. Instead, readers need to view the text as objectively as possible, setting aside all preconceived ideas and biases. Readers are supposed to infer what the author means. This skill can be taught and practiced to improve comprehension. In sum, good readers focus more on the text and less on themselves; the majority of our instructional strategies should reflect this.

Mark Pennington, MA Reading Specialist, is the author of the comprehensive reading intervention curriculum, Teaching Reading Strategies. Designed to significantly increase the reading abilities of students ages eight through adult within one year, the curriculum is decidedly un-canned, adaptable to various instructional settings, and simple to use. With multiple choice reading assessments on two CDs, formative assessments, blending and syllabication activitiesphonemic awareness and phonics workshops, comprehension worksheets, multi-level fluency passages on eight CDs, 390 flashcards, posters, activities, and games (364 pages), even novice reading teachers and para-professionals will be able to use these user-friendly resources to effectively differentiate reading instruction with minimal preparation.

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How to Use Think-Alouds to Teach Reading Comprehension

Teaching students to carry on an internal dialogue with the author and text as they read is vitally important. “Talking to the text” significantly increases reader comprehension and promotes retention as well. However, this is not a skill acquired by osmosis. It requires effective modeling using the Think-Aloud strategy.

Good readers are adept at practicing many metacognitive strategies. That’s a big word that means “thinking about thinking.” Research shows that 50% of reading comprehension is based on what the reader brings to the text by way of prior knowledge and internal dialogue. Students who practice the self-monitoring strategies modeled by teachers using Think-Alouds have better reading comprehension than those who do not.

Here’s how to set-up an effective Think-Aloud with your students:

1. Select a short reading with a beginning, middle, and an end.

2. Tell students that they are about to enter a strange new world, that is the world of your thoughts as a reader. Tell them that your thoughts will not be the same thoughts as theirs.

3. Tell them that reading is not just pronouncing words; it is making meaning out of what the author has written. Tell them that they can improve their reading comprehension.

4. Begin reading the text for a few lines and then alter your voice (raise the pitch, lower the volume, or use an accent) to model what you are thinking. Stop and explain what the voice altering meant and keep this voice altering consistent throughout the Think-Aloud.

5. Keep your thoughts concise and on the focus of the reading. Don’t ramble on with personal anecdotes. Comment much more on the text than on your personal connection with the text.

6. Don’t over-do the amount of your Think-Aloud thoughts. Once every paragraph or two is about right. Don’t interrupt the flow of the reading and lose sight of the textual meaning.

7. Talk to the text and to the author.

8. Ask students if they think they understood the text better because of your verbalized thoughts than just by passively reading without active thoughts. Their answer will be “Yes,” if you have done an effective Think-Aloud.

9. Have students practice their own Think-Alouds in pairs.

10. Repeat Think-Alouds often with both narrative and expository texts.

Mark Pennington, MA Reading Specialist, is the author of  the comprehensive reading intervention curriculum, Teaching Reading Strategies.Designed to significantly increase the reading abilities of students ages eight through adult within one year, the curriculum is decidedly un-canned, adaptable to various instructional settings, and simple to use. Get multiple choice reading assessments on two CDs, formative assessments, blending and syllabication activities, phonemic awareness and phonics workshops,comprehension worksheets, multi-level fluency passages on eight CDs, 390 flashcards, posters, activities, and games. Everything teachers need to teach a diagnostically-based reading intervention program for struggling readers at all reading levels is found in this comprehensive curriculum. Perfect for ESL and Special Education students, who struggle with language/auditory processing challenges. Simple directions and well-crafted activities truly make this an almost no-prep curriculum. Works well as a half-year intensive program or full-year program, with or without paraprofessional assistance. 364 pages

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